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Ansel Adams believed in having at least one small area in each of his prints that was pure white or without tone and at least one small area of pure black. I love the range of tones in this image of the sandstone shoreline near Munising, Michigan. F9 at 1/125, ISO 100, 18-50mm lens at 18mm

Superior Shoreline


0175_12B_BradReed_2211_SuperiorShoreline_TuesdayswithToddandBradReed_March20_2012_NWW.jpg





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